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Flickchart’s starting premise is simple: take any two films, present them to the user, and ask “Which is better?” By using only this mechanism of series of direct comparisons, Flickchart is able to figure out each user’s favorite movies of all time. It’s all at once more fine-grained than a five-star rating system and more intuitive than a 1-to-100 numeric ranking. We also think it’s a lot more fun.
As users ranks movies, Flickchart keeps track of those they haven’t seen – handy when they want to ask other users what to see next, or maybe plan a movie night with other friends who also haven’t seen it. Flickchart knows the genres, actors, directors, and release dates of all the films, so users can break down their favorite movies – or the movies they haven’t seen – into any combination they choose. Users also feel empowered by having their personal lists contribute to the site-wide collective list of the “Greatest Movies of All Time,” by taking part in discussions about movies with their friends, and by learning more about their favorite films.
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Prior to 2018, only once in Walt Disney Feature Animation‘s history had the illustrious studio created a sequel (ignoring the straight-to-video, non-theatrical films). The first attempt, the less-than-well-received The Rescuers Down Under, seemed to...
My son is a fan of the Five Nights at Freddy’s lore. He’s young — the games are older than he is — but YouTube videos, posters, and the fanciful, creepy mythology of these...
Rental Family is elegantly absurdist, and beautifully banal in scope. The premise is eyebrow raising, focusing on a minor American actor (Brendan Fraser) living in Tokyo who starts working for a rental family service...
Wicked: For Good exemplifies why it is hard to split a complete story into multiple parts and expect those parts to stand alone. The sequel to last year’s immensely popular movie musical Wicked, it...
The directorial debut from acclaimed TV writer and producer Bryan Fuller, Dust Bunny brings his unique sensibilities to the big screen. At times, his storytelling doesn’t quite translate to the confines of a feature...
Keeper (2025) My Flickscore: 31 Keeper marks Osgood Perkins’ second release of the year, following the splatter-horror-comedy chaos of The Monkey. Where that film reveled in crimson excess, Keeper trades gore for mood —...
Reviewer Flickscore: 51 Die My Love (2025) Die My Love is the latest feel-good romp from Lynne Ramsay, director of past crowd-pleasers You Were Never Really Here (2017) and We Need to Talk About...
For better and worse, Predator: Badlands feels like the Marvelization of the Predator series. While director Dan Trachtenberg has had a good “tracht” record with the IP in the last few years, having directed...
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